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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell alongside Marc Almond at Leeds during 1977

The talented musician, a key member of the groundbreaking 1980s electronic music duo Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the duo scored a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their debut album their initial full-length release is considered a classic of electronic music.

He later founded the innovative electronic act The Grid, who achieved chart success with 1994's the hit Swamp Thing.

Ball passed away calmly in his sleep at his residence in London on October 22, just weeks after playing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

At that show, Ball performed in a wheelchair, as he had for the previous couple of years, after a period of health issues.

"I ended up injure myself significantly," he stated in a recent interview. "I broke lower vertebrae in my back and fractured about five ribs and broke my arm."

After catching pneumonia and suffering from sepsis, he was placed in an medically-induced sleep and remained in hospital for half a year.

Nevertheless, he had been in "high spirits emotionally" over the summer, as he was developing a fresh record with Almond, called Danceteria, which is scheduled for release in the coming year.

"He was focused and so happy with the new album that we literally completed only a short time ago," stated the singer in a tribute.
"It's truly heartbreaking as next year was all set to be such an positive year for him, and I find comfort from the knowledge that he heard the finished record and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the vanguard of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond described his collaborator as "an exceptionally talented musical genius", adding: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.

"Thank you Dave for being an significant aspect of my existence and for the songs you created with me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".

"Being in a partnership with someone is distinct from joining a group, the bond is very tight," he continued.
"That was the case with us. We went through so many extraordinary, incredible, memorable moments together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Early Life

Born into a one-parent family in the city of Chester in the late 50s, Ball was put up for adoption when he was 18 months of age.

He was raised in Blackpool with his new family Donald and Brenda Ball, who altered his given name from his birth name to David, together with his sibling Susan, who was similarly welcomed.

He encountered Almond at an art college in the late 70s, where they were both learning art. Fuelled by a shared love of Northern Soul, they formed Soft Cell the very year, and promptly produced an extended play.

Creative Collaboration

The duo were an distinctive pairing: Ball was the quiet technician, hunched over his synthesizer, while Almond was a charismatic performer, all glitter and eye-liner; but they attained a rare musical alchemy.

Ball had developed a interest with electronic instruments after watching the band Kraftwerk appear on BBC science show a popular series, and began to combine moody electronic sounds to the soaring melodies Almond was writing.

Their signature song became the UK's second most popular song of 1981, shifting 21 million copies globally. Together with hits by Gary Numan, contemporary bands and electronic acts, it contributed to cleared the path for the electronic music style of the 80s.

The track was also featured on their first album, their initial LP, which produced two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The pair were developing fresh songs until just before Ball's passing

Professional Journey

Fame had its upsides. "I enjoyed being able to afford my first home, having financial security and exploring, which might seem like a Miss World," Ball not long ago told with a publication.

But it also presented challenges. "Newfound wealth allowed we could afford substances to alleviate the monotony" of media interviews and TV performances, Ball explained.

"I realize that's a cliché, but it's a truism for a valid cause, because it works for so many musicians."

Amidst the hedonistic lifestyle, the pair were also drifting apart, but they managed to produce a follow-up classic album - the wayward, tense and aptly-titled The Art Of Falling Apart.

They released one more LP, 1984's This Last Night In Sodom, before dissolving the group to concentrate on other projects.

Almond went on to have a successful solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with melodic sounds over a long-lasting collaboration.

Later Work and Comebacks

Soft Cell reunited in 2001, producing the charting album Cruelty Without Beauty.

After another hiatus, they reappeared in 2018, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a farewell show at the large venue on September 30, that year.

Yet, they remained active, creating their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently characterized the band's upcoming release as a homage to the New York club scene they frequented while recording their initial records.

He added that his time in hospital had influenced the group's music.

"I experienced unusual memories when I was coming and going of the hospital because I was on morphine," he told a music magazine.
"The new songs are a electronic representation of the noises in my head from those days.
"Simultaneously, it's about the experiences we had in the 80s."

The final mixes were completed only days before Ball died. It is scheduled for release in the spring of 2026.

About the author

Amanda Reynolds

Elara is a seasoned sports analyst with over a decade of experience in betting strategies and odds analysis, dedicated to helping bettors succeed.

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